As a photographer who loves an adventure I’m always faced with the predicament of what to take and what to leave at home. I’ve literally spent hours going through my gear, weighing it and charting the possibilities (shhh don’t tell Holly, when I climb into bed at 4am she always assumes that I’ve been working feverishly, not gorging my OCD side with a set of scales).
The simple fact is however that if you take too much you’ll end up weighed down worse than an eighteenth century suspected witch waiting for a float test. You’ll spend the entire trip worrying about gear rather then how to get yourself into interesting photographic situations.
Conversely take too little and you’ll kick yourself when you find that Ethiopian tribal chief just calling out for a bit of deep octa goodness.
Sync speeds:
So one of the biggest problem in travelling light is that flashes capable of over powering ambient (with any decent modifier) typically weigh more than your entire Ryanair baggage alliance (I write this while being pampered on the upper deck of a BA 747, but even I have to slum it every now and again
). One of the best ways of upping the power of your flash is to increase your max sync speed. Take your sync speed from 1/200 – 1/600 and your 400w/s ranger quadra becomes a 1200w/s full ranger minus about 7kg of lead. E
Option One – Pocket wizards:
So for anybody who hasn’t heard of the pocket wizard flex system, where have you been for the last two years?!? The flex system contains something known as hypersync which allows you to control exactly when the flash pulses and over clock that sync speed. With my D3 I can happily get 1/320 of a second with banding or drop in flash power. I can even hit 1/400 of a second if I’m happy to lose a little bit of light at the bottom of the frame. Overall the pocket wizards aren’t going to super charge your flash too much but they do offer a handy gain and are well worth their place in the bag.

Mongolian camel driver. Taken with a Nikon D3 and Elinchrom Ranger Quadra.
Option Two – Medium format:
The Joey L approach. Okay so medium format kit isn’t exactly known for being lightweight but hear me out. Medium format gear is usually a few kg heavier than a large SLR rig however some pack leaf shutters. Some modern leaf shutters sync at crazy speeds 1/1600 and faster. As such while you end up dragging a heavier camera than with an SLR, you might actually end up with a net saving in weight by taking smaller flashes (and, well, medium format is very cool with image quality second to none).
Option Three – The wild card:
So the third option is to take an electronic or leaf shutter mirrorless camera. With the micro 4/3′s system these are becoming really quite powerful and some can also reach crazy sync speeds.
Personally I’ve opted for an X100 with its large APS-C sized sensor and 35mm f/2 lens and I’m going to be trying it out on my current trip. Sure I’m stuck with a 35mm lens but my x100 can sync at up to 1/1000 of a second. That makes the ranger quadra I’m carry equal to a 2000w/s beast of a flash on a 5d mk II. Add in an octa box and nano stand and you have a powerful setup which fits in a small manageable backpack. How crazy is that?
Very I’ll tell you, very crazy. I have no idea how it’ll work out but I’m hoping it could be good. Stay tuned into this blog over the next month and I’ll keep you all updated on my adventures with a small camera and a big flash.
More adventures soon,
Alex